Please tell us about your background in Audio and what route you took to get where you are today.
I started off as a house music DJ when I was about 17, had numerous residencies and promoted various events in Essex and London. Highlights include playing at MoS, alongside house music legends Pete Heller and Terry Farley.
I learnt to make electronic music on EMP, then did a diploma in audio engineering, followed by my degree.
I freelanced for a year doing lots of dialogue editing and boom operating. I then did my Master’s degree and got pretty inspired with film sound and the aesthetics of film sound.
I became a supervisor at SAE London whilst finishing off my Master’s and then became a full-time lecturer
What excites you about passing on your knowledge and expertise to the next generation?
The level and depth students will go into on a project they are genuinely interested in. Part of the challenge is helping them identify that interest and then nurturing the proceeding process. Some of the work my major project students have done in film sound is on a whole other level, it blows my mind.
Which musicians/producers inspire you and why?
- Cassetteboy, the most amazing audio editing and a real spearhead of Plunderphonics
- Chris Watson, his recordings are amazing, but also his philosophy and appreciation of sound
- Clint Mansell, for his beautiful yet simple scoring and his no nonsense, almost rebellious approach to scoring.
If you were stranded on a desert island with only one album to keep you sane, what would it be?
Technical Itch - You Need Therapy
Please list projects you have worked on outside of SAE and any publications:
Advertisements and campaigns:
- BMW Cooper (music production x 4)
- Colchester United (post production)
- Ninja Tracker (music production, dialogue)
- Take Me To Suffolk (post production, sound design x 4)
Location sound and post production
- Come Dine With Me (film)
- Credo (web series)
- Loss (film)
- Tory McGill/Girth Andrews (web comedy shorts)
On location for: Leona Lewis, Michael McIntyre, Stavros Flatley
- Aural Interactions (28 min radio documentary)
- Man of rage (radio drama)
- Grey Matter (production, mixing, mastering a three track EP)
- Inspired by Idiots (production, mixing, mastering a three track EP)
- M A R I N E (mixing and mastering a four track EP)
- Thickets (mastering a four track EP)
- The Psychophysics of Sound Design in Contemporary Television Advertising Towards Young Adult Males.
- Considerations for designing sonic experiences: A case study of perceptually informed sound design for a virtual reality environment.
- The Mozart Effect: Anecdotes and Pseudoscience or can you really tap the Power of Music to Heal the Body, Strengthen the Mind and Unlock the Creative Spirit?
The Audio Engineer’s Jokebook (currently in writing)